translated by flowerbossa
On our first date out...of all times... 
"I forgot my Fshop body soap..."
"What?! How could you!"
Rushed to a nearby pharmacy...
"We don't have those."
She wouldn't talk to me.
"Give me a break~"
Jun 20, 2009
Yon-koma (comic) New CM : Kim Insu Version
Created by saita4
translated by flowerbossa
On our first date out...of all times...
"What?! How could you!"
Rushed to a nearby pharmacy...
She wouldn't talk to me.
"Give me a break~"
translated by flowerbossa
On our first date out...of all times... "What?! How could you!"
Rushed to a nearby pharmacy...
She wouldn't talk to me.
"Give me a break~"
Jun 10, 2009
全龍福先生＠雅叙園講演会 １１時受付開始 １２時スタート
ヨロブン アンニョン♪
全龍福先生 講演会 ＩＮ 目黒雅叙園のお知らせです
Jeon Yongbok sonsen-nim's lecture in Gajoen
多数の参加者のため、受付時間を早めました!!!!
【会場受付時間】 ６月２８日(日） 午前１１時
PCをご覧いただけないご友人にもおしらせください。
宴会場 舞扇前が受付となります（予定）
払込控を必ずご持参下さい。
ご持参いただかないとお調べするののにかなりお時間を要します。
【宴会】 正午に全員スタート
時間厳守でお願いします
１２時に全員着席のうえ、中国料理（コース）をお召し上がりいただきます。
円卓テーブルで着席の上、一斉にサービスいたしますので
ひとりでも 着席できなければ、サービスが遅くなり、スケジュールに支障をきたしますのでですので、
時間厳守にご協力いただきますよう、お願い申し上げます。
お近くの方も、１本早い電車に乗って下さいネ♪
尚 交通機関の都合で（飛行機等）１２時開始に到着いただけない参加者様は、
大変恐れ入りますが 、
byjtokyo@yahoo.co.jp までご連絡下さい。
別途ご相談させていただきます。
【講演会】午後２時～３時半終了予定
会場への プチご案内です
雅叙園の玄関前にはあじさいが綺麗に咲いていました～♪Hydrangeas in front of the main entrance
園内から中庭を見たところです
Looking at the inner garden from the building
２Ｆ「舞扇」前
２Ｆ In front of "Maiogi" ball room
舞扇のお部屋の前に
全龍福先生のすばらしい大作があります。
全龍福先生のすばらしい大作があります。
Jeon Yongbok Sonsen-nim's masterpiece in front of "Maiogi"
園内の先生の作品につきましては、当日雅叙園スタッフにお尋ねくださいませ
Produced by Pinky Ring
Jun 8, 2009
Jun 6, 2009
F☆CESHOP New CM~ Cho Won Version
Created by saita4
Translated by flowerbossa
Translated by flowerbossa
Hunks are created...
With good food...
Good exercise,And...
Good makeup...
♪F☆CESHOP♪
And, a good night's sleep too♪
Jun 3, 2009
Playing the Artist
This is a film I saw a few months ago.
BIMONG (Sad Dream)
Cast:
Joe Odagiri, one of the most popular Japanese actors today, and also an active figure in the international movie scene, talked about his feelings for Asia on NHK in a program called "Asia Crossroad":
BIMONG (Sad Dream)
Cast:
Ran: Lee Na Young (BOF artist who played Jaeho's young sister in the drama "Have We Really Loved")
Jin: Joe Odagiri
Director: Kim Ki-duk
Release Date: October 9, 2008
Synopsis from Showbox:
Jin wakes up from a nightmare of a traffic accident. It drives him to the very spot and discovers aftermath of a real accident. He follows the police to the suspect’s home and watches as Ran denies the hit-and-run accusation since she was asleep the entire night. Jin explains his dream to them and asks to be charged instead. The police dismiss him and arrest Ran. Jin is convinced that there’s an unexplainable connection between the two. They discover that when he dreams, she acts out his dream in her sleep.
Jin: Joe Odagiri
Director: Kim Ki-duk
Release Date: October 9, 2008
Synopsis from Showbox:
Jin wakes up from a nightmare of a traffic accident. It drives him to the very spot and discovers aftermath of a real accident. He follows the police to the suspect’s home and watches as Ran denies the hit-and-run accusation since she was asleep the entire night. Jin explains his dream to them and asks to be charged instead. The police dismiss him and arrest Ran. Jin is convinced that there’s an unexplainable connection between the two. They discover that when he dreams, she acts out his dream in her sleep.
Joe Odagiri, one of the most popular Japanese actors today, and also an active figure in the international movie scene, talked about his feelings for Asia on NHK in a program called "Asia Crossroad":
translated by flowerbossa
☆ About his activities in 2008 - he had appeared in 3 works filmed abroad.
Rather than the big Hollywood productions, I prefer independent movies that tend to be small and are made based on the the ideas and talent of the directors. I think Asian movies have the base to create both types of films successfully.I think the reason I ended up participating in foreign films is because I basically had my eyes turned towards Asia. I received these offers at a time when I had worked on quite a few films in Japan, and I wanted to experience something outside my country. So, because the timing was just right, there was no reason to say no.
☆ On the movie "Sad Dream"
What was most interesting was that the Korean style of shooting a film was really speedy. It is characteristic of Director Kim Ki Duk. The average Japanese film is shot in a month. Director Kim finished it in 12 days. His efficiency was amazing.
After having worked with various people, I feel the most comfortable with the Koreans. It probably has to do with our common roots in Confusionism - in that respect, the Koreans still observe the old customs more strictly than we do, so they place a lot of importance in things like consideration towards others and respect for our elders. (Because I was in the unique position) as a Japanese actor in a Korean working environment, they took good care of me and the staff helped me in maintaining my condition so that I would not feel uncomfortable. That kind of thoughtfulness is unique to Koreans, and I think it was because I was able to work in Korea that I felt relaxed. In a word, I find that the Korean people are very easy to relate to.
☆ The Asian aspects within me
There are a lot of interesting aspects. It's because I'm Japanese and a part of Asia that I think about my originality, the environment in which I lived in....when I dwell on these things, I wonder where it all leads to. For instance, if I go to Indonesia, I can certainly find something in common with Japan. The same with China. There's really a lot of things we have in common in Mongolia. It really interests me that there are so many countries that have things in common which exist inside me. "Asia" is probably an essential word when it comes to reflecting my originality.
☆ About his activities in 2008 - he had appeared in 3 works filmed abroad.
Rather than the big Hollywood productions, I prefer independent movies that tend to be small and are made based on the the ideas and talent of the directors. I think Asian movies have the base to create both types of films successfully.I think the reason I ended up participating in foreign films is because I basically had my eyes turned towards Asia. I received these offers at a time when I had worked on quite a few films in Japan, and I wanted to experience something outside my country. So, because the timing was just right, there was no reason to say no.
☆ On the movie "Sad Dream"
What was most interesting was that the Korean style of shooting a film was really speedy. It is characteristic of Director Kim Ki Duk. The average Japanese film is shot in a month. Director Kim finished it in 12 days. His efficiency was amazing.
After having worked with various people, I feel the most comfortable with the Koreans. It probably has to do with our common roots in Confusionism - in that respect, the Koreans still observe the old customs more strictly than we do, so they place a lot of importance in things like consideration towards others and respect for our elders. (Because I was in the unique position) as a Japanese actor in a Korean working environment, they took good care of me and the staff helped me in maintaining my condition so that I would not feel uncomfortable. That kind of thoughtfulness is unique to Koreans, and I think it was because I was able to work in Korea that I felt relaxed. In a word, I find that the Korean people are very easy to relate to.
☆ The Asian aspects within me
There are a lot of interesting aspects. It's because I'm Japanese and a part of Asia that I think about my originality, the environment in which I lived in....when I dwell on these things, I wonder where it all leads to. For instance, if I go to Indonesia, I can certainly find something in common with Japan. The same with China. There's really a lot of things we have in common in Mongolia. It really interests me that there are so many countries that have things in common which exist inside me. "Asia" is probably an essential word when it comes to reflecting my originality.
Jun 1, 2009
A Moving Lecture by a Great Artist
Jeon Yongbok Sonsen-nim's Lecture on Lacquer Art in Kyoto
Fighting the invisible enemy -
medical supplies to fend off influenza
Please come and visit Morioka!
(Lacquer Art Museum due to open in August)
Pamphlet of LSH (Lee Soo Hyun) Asia Scholarship
A special surprise from Jeon Seonsen-nim-
Lacquer art on special Korean paper created for EACH PARTICIPANT of the event!
Lacquer art panels exhibited at the venue
(4 works presented in Taiwan in 2008)
Sonsen-nim explained that he always wears a suit when he speaks, but complying to the fans' request, he wore the jacket he usually wears in his atelier (BYJ had asked if he could have this workwear!)
Sonsen-nim - all smiles(*^.^*） 
Sonsen-nim explained that it was after BYJ (who was interested in lacquer) saw this article in the "Chosun Ilbo" that he got in touch with him.
Jeon Yongbok Sonsen-nim always seems to choose the road of difficult challenges and strives to move forward. A man who is truly pure-minded with a big warm heart, he always has a big dream and possesses hope for the future...
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